Why hasn’t decentralized Disney caught on?

Written by: cc0studios

Compiled by: Block unicorn

In the last cycle, both retail investors and VCs seized oncryptocurrencyThe idea of a "decentralized Disney" can be born.Despite lots of seed funding and high expectations, this vision has not been realized. Why?

Of course, poor user experience, high transaction fees, slow speeds, and inadequate infrastructure all played a role. But the main point of failure was the failure to realize that the foundation for a decentralized Disney already existed and was thriving as a meme that spread quickly through the internet.

Gen Z desperately needs a show that speaks its language, the language of internet culture. The old story of "boy and girl working hard in the big city, chasing their dreams, and having a happy life" is no longer effective.

The real problem: curation, not creation

Doge, Wojak (Feels Guy), Chad, Giga Chad, Trad Girl, Soyjack, Doomer, NPC, Zoomer Wojak, Virgin Wojak, dogwifhat, Popcat, Pepe the Frog, "Are ya winning, son" father and son, Schizo, Yes Chad, Midwit, LoFi Girl, Simple Jack, Retardio, Milady, Intellectual Chad, etc. (These are all Internet memes/network memes).

The number of personas and their derivatives generated by the Internet is unlimited and is growing exponentially in every direction (good, bad, ugly, left, right, healthy, extreme, hyper-financialized, etc.).

We don’t need to create new intellectual property (IP). Instead, we need to curate the ones that already exist, that are organic and beloved.Communityand visual language. Memes are the backbone of Internet culture, and their decentralized nature reflectscryptocurrencyWe don't need to invent new IP, and we certainly don't need to have hundreds or thousands of people slowing down the creative process.

What we need to do is curate existing, organically grown, and belovedCommunityLooking at the chart below, there is no shortage of roles and content creation/development.

Efficiency of Centralized Management of Decentralized Content

While a decentralized creative process promotes diverse contributions, it often leads to fragmented and inconsistent content. A centralized curator (in this case, I propose CC0 Studios to play this role) can manage these contributions, ensuring a unified vision and quality control. This approach combines the advantages of decentralized creativity while providing the structure needed to produce coherent and marketable content.

By centralizing management, we can streamline communication and ensure a more consistent end product because you don’t want to be stuck with too many people working on too many tasks.

Why choose CC0 Studios and normal mfer?

CC0 Studios and ordinary netizens aim to leverage existing Internet and crypto-native memes and intellectual property to create content that speaks the language of the InternetXiaobai NavigationBy living at the intersection of internet-native culture and crypto-native meme culture, we will build a library of hyper-viral and shareable online content. This strategy is supported byCommunity’s support (for example, if you own an Ordinary Netizen NFT or $mfer coin, why not share Ordinary Netizen’s GIF?), aiming to bring these characters to the masses and promote a new wave of digital culture that is both creative and economically beneficial.

in conclusion

The future of entertainment lies not in creating a new Disney, but in recognizing and nurturing the decentralized Disney that already exists. By curating and inspiring thriving meme communities online, we can create a new paradigm of high-quality entertainment that is rooted in Internet culture.

The article comes from the Internet:Why hasn’t decentralized Disney caught on?

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